Description
In this study for The Two Foscari, a row of figures gathers around a seated authority beside a table or throne. Eugène Delacroix develops the scene of Jacopo brought before his father, the Doge, for The Two Foscari. The arrangement gives the named relationship a wider human setting, inviting attention to the emerging composition rather than a single isolated figure.
The 1847 graphite drawing brings the scene into a direct drawn medium, allowing the relationships between figures to emerge through light marks. Its interest lies in a stage of artistic thinking, where a larger dramatic arrangement can be considered before its fuller painted realization. The study preserves that process as part of the encounter, giving the viewer room to follow how a named episode acquires a visual structure.
Read our guide to giclée prints or browse the Eugène Delacroix collection.





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