Description
Several men lie, sprawl or reach across John Singleton Copley’s working sheet for The Siege of Gibraltar. A sailor’s upward gesture cuts diagonally through the grouping, contrasting with bodies arranged closer to the horizontal. The open spaces between the studies let each action remain legible, giving the page an immediate sense of physical effort before the figures enter a complete battle scene.
Made in 1785–86 with black and white chalk on light blue paper, the study uses contrasts to give the figures substance while leaving the surrounding ground open. Copley makes the page a place for testing movement and relationships before they enter a finished history painting. The drawing’s interest lies in that visible preparation. The figures can be encountered individually, yet their varied poses also suggest the demanding task of bringing many separate human actions into one coherent dramatic image.
Read our guide to giclée prints or browse the John Singleton Copley collection.





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