Description
In Girl with a Mandolin (Fanny Tellier), Pablo Picasso turns a seated figure into a shifting arrangement of planes and angles. Muted ochres, creams, and grays bring the woman and her surroundings into the same close harmony, while the curved instrument offers a gentle counterpoint to the fractured forms. The eye moves between recognizable details and abstract shapes, gradually finding the figure within the composition.
Painted in Paris in 1910, the work is an early example of Analytic Cubism. Picasso explores how a person can be seen through several interlocking forms rather than one continuous outline. Held by the Museum of Modern Art in New York, the painting makes the act of looking part of its quiet fascination.
Read our guide to giclée prints, browse more Pablo Picasso prints, or explore Portrait of Wilhelm Uhde.





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