Description
Tiger Lying at the Entrance of its Lair stretches low in Eugène Delacroix’s print, its head at the left beside a large area of dark rock and shadow to the right. The entrance to its lair gives the resting animal a setting associated with shelter. Body and surrounding mass create contrasting forms, allowing the creature’s stillness to carry a strong presence within the image.
Made around 1828–30, the print combines etching, drypoint and roulette. Those techniques give the image a worked printed surface distinct from a drawing or painting. Delacroix’s subject invites attention to a creature considered within its own setting rather than a grand human narrative. The appeal lies in the meeting of body and place, where the entrance to a lair becomes a point of contact between an animal’s immediate presence and the space around it.
Read our guide to giclée prints or browse the Eugène Delacroix collection.
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