Description
A sculptural religious group rises at the upper left of Paul Gauguin’s The Breton Calvary, with robed figures nearby and a cow occupying the central foreground. A broad, spare landscape extends to the right. The composition brings devotional imagery into contact with ordinary rural life, making different kinds of presence share the same strongly contrasted setting.
Made in 1898–99, the work is a woodcut on thin Japanese paper. The carved medium gives its marks a different character from a drawing or painting, allowing bold contrasts to become part of the image’s presence. Gauguin’s subject joins spiritual association to the directness of a printed surface. Its interest lies in that combination, where an object connected to communal devotion becomes an arrangement of forms that can be encountered through both recognition and the artist’s handling.
Read our guide to giclée prints or browse the Paul Gauguin collection.
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