Description
A woman reclines on a pale bed at the center of Paul Gauguin’s Te Po, with upright forms gathering at the right and a face-like shape above the left. Dark surroundings give the body a concentrated presence, making the scene feel both intimate and unsettling. The woodcut invites looking between a recognizable reclining figure and imagery whose relationships remain more mysterious.
Made in 1893–94, the print belongs to Gauguin’s exploration of woodcut as a medium capable of carrying an imaginative world. Rather than smoothing away the character of the block, the printed marks remain visible participants in the composition. The image’s interest lies in that meeting of subject and handling. It asks for looking that can move between the represented scene and the surface itself, allowing atmosphere to arise from the way forms emerge and recede through contrast.
Read our guide to giclée prints or browse the Paul Gauguin collection.





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