Description
Henri de Toulouse-Lautrec places Yvette Guilbert in a full-length profile at the right of a large passage of text. Her long checked dress gives the standing figure a distinct surface, while the writing occupies much of the neighboring space. The arrangement connects a performer’s visible presence with the literary form of the album, making image and words share one page.
Dated 1894, the museum album combines a lithographed cover with sixteen olive-green crayon lithographs. Gustave Geffroy supplied the writing, while André Marty and L’Estampe Originale published the project. Those distinct contributions brought text and image together around the singer’s identity. Toulouse-Lautrec’s work gives performance a lasting graphic counterpart, preserving a particular artist within the world of print. The represented design belongs to that album context, without standing for an offer of the complete publication.
Read our guide to giclée prints or browse the Henri de Toulouse-Lautrec collection.





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