Goya

  • Saturn Devouring His Son (from The Black Paintings)

    Saturn Devouring His Son (from The Black Paintings)

    Goya, Francisco de

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  • The Dog - Goya

    The Dog

    Goya, Francisco de

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  • Asmodea

    Asmodea

    Goya, Francisco de

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  • 'A Way of Flying' from the 'Disparates' (Follies / Irrationalities) — Francisco Goya

    ‘A Way of Flying’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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  • The agility and audacity of Juanito Apiñani by Francisco de Goya, a pole-vaulter leaping over a charging bull

    Plate 20 from ‘Tauromaquia’: The agility and audacity of Juanito Apiñani in the ring at Madrid

    Goya, Francisco de

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  • Saint Ambrose C 1796–1799. Spanish. Oil On Canvas.

    Saint Ambrose C 1796–1799. Spanish. Oil On Canvas.

    Goya, Francisco de

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  • Portrait Of Don Juan Antonio Cuervo 1819. Oil On Canvas

    Portrait Of Don Juan Antonio Cuervo 1819. Oil On Canvas

    Goya, Francisco de

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  • The Third of May (El Tres de Mayo)

    The Third of May (El Tres de Mayo)

    Goya, Francisco de

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  • Tauromaquia Plate 1 by Francisco Goya

    Plate 1 from ‘The Tauromaquia’: The way in which the ancient Spaniards hunted bulls on horseback in the open country

    Goya, Francisco de

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  • Tauromaquia Plate 3 by Francisco Goya

    Plate 3 from the ‘Tauromaquia’:The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open

    Goya, Francisco de

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  • Funereal Folly by Francisco Goya

    ‘Funereal Folly’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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  • Clear Folly by Francisco Goya

    ‘Clear Folly’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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  • Poor Folly by Francisco Goya

    ‘Poor Folly’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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  • Flying Folly by Francisco Goya

    ‘Flying Folly’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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  • The Exhortations by Francisco Goya

    ‘The Exhortations’ from the ‘Disparates’ (Follies / Irrationalities)

    Goya, Francisco de

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  • Self-portrait by Francisco Goya, wearing a tall hat and facing left

    Plate 1 from ‘Los Caprichos’: Self-portrait

    Goya, Francisco de

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  • Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar) — Francisco Goya

    Plate 45 from ‘Los Caprichos: There is Plenty to Suck (Mucho hay que chupar)

    Goya, Francisco de

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  • Women and children near a cross; folio 78 from the Images of Spain Album 'F' — Goya

    Women and children near a cross; folio 78 from the Images of Spain Album ‘F’

    Goya, Francisco de

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  • A partly naked woman seated by a stream; page 32 from the 'Images of Spain' album (F) — Goya

    A partly naked woman seated by a stream; page 32 from the ‘Images of Spain’ album (F)

    Goya, Francisco de

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  • Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez

    Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez

    Goya, Francisco de

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  • The custody is as barbarous as the crime by Francisco de Goya

    ‘The custody is as barbarous as the crime’ (Tan bárbara la seguridad como el delito)

    Goya, Francisco de

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