Description
In this large version of After the Bath, Edgar Degas shows a nude woman folding her upper body toward the right, dark hair falling beside her head. Broad gray hatching surrounds the exposed back, while cloth gathers below the bent figure. The practical action makes the body’s changing shape the subject, giving a private routine enough visual weight to reward close, sustained observation.
Created in 1891–92, this large version was made through lithographic methods using transfer and crayon. Those processes give drawn marks a printed presence, allowing the surface to retain the character of the artist’s handling. Degas finds interest in a subject whose action is familiar but rarely given such concentrated attention. The work makes everyday movement worth lingering over, revealing how posture, balance and the body’s changing arrangement can become the substance of an image.
Read our guide to giclée prints or browse the Edgar Degas collection.





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