Description
In Hamlet and the Corpse of Polonius, Eugène Delacroix places the prince at the right lifting a curtain, while Polonius lies collapsed at the lower left. The separation between standing prince and fallen man gives the scene a stark contrast of levels. Fabric and body make the interior’s concealed space suddenly visible, turning a small opening gesture into an encounter with the consequences of violence.
Dated 1835, the lithograph belongs to Delacroix’s Hamlet project, with Villain credited as lithographer. The print concentrates on the aftermath rather than the strike itself, making discovery and recognition central to the scene. Delacroix uses the curtain as both an object within the room and a device for revealing its drama. The image gives Shakespeare’s episode a clear pictorial structure, where one living figure confronts another whose movement has ended.
Read our guide to giclée prints or browse the Eugène Delacroix collection.
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