Description
This illustration from Albrecht Dürer’s Four Books on Human Proportion presents two views of a standing human figure with exceptional economy. The front and side outlines appear against an almost empty page, allowing the body’s shape and changing contours to remain clear. Small reference marks support the measured character of the image without crowding its restrained design.
Published in Nuremberg in 1528, the woodcut belongs to Dürer’s study of the relationships that define human form. Its appeal differs from the drama of his narrative prints: here, slight curves and intervals become the central subjects of attention. The quiet arrangement makes observation itself visible, offering an engaging glimpse of an artist seeking to describe the body through comparison, proportion and carefully controlled line.
Read our guide to giclée prints or browse the Dürer collection.
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