Description
In Woman with a Mustard Pot, Picasso makes a portrait out of a dense meeting of angles, curves, and shifting viewpoints. The woman’s face tilts within a green and brown arrangement, with dark marks accenting its features. Warmer tones define the lower shoulder, while a small pot remains visible at the left. The everyday object offers a point of recognition beside a figure whose appearance has been radically reorganized.
Painted in 1910, the work represents Fernande Olivier, Picasso’s companion and frequent model. The Kunstmuseum explains how its geometric structure allows several aspects of a head to coexist on one surface. The portrait still has a distinct human presence, but familiarity no longer depends on an unbroken outline. Looking back and forth between the pot and the fragmented face reveals how Picasso applied the same searching attention to objects and people.
Read our guide to giclée prints or browse the Pablo Picasso collection.
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