Description
A dark central figure stands within Paul Gauguin’s The Day of God, while curving forms sweep across the foreground and smaller figures occupy the distance. A branch at the right helps define the setting’s edge. The woodcut makes its spiritual association part of a closely worked arrangement, where strong contrasts and flowing lines give the scene an atmosphere of concentrated mystery.
Made in 1894–95, this version is a woodcut printed in black ink, distinct from a painted treatment of the subject. The carved and printed surface brings strong contrasts into the composition, allowing marks and open areas to carry their own expressive rhythm. Gauguin makes spiritual suggestion a matter of pictorial arrangement as well as title. The work invites patient looking at how figures and surroundings can belong together while retaining something of their mystery.
Read our guide to giclée prints or browse the Paul Gauguin collection.
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