Description
An old willow dominates the left of Rembrandt’s The Omval, its dense and irregular form contrasting with the more open river view at the right. Boats and a small foreground figure help connect the bank with the water beyond. The tree makes the near space feel sheltered, while the distant stretch allows the composition to open outward into a broader landscape.
Dated 1645, the etching and drypoint is represented here in the second of two states. The title names a place, but the print’s visual interest lies in the relation between a conspicuous tree and its surrounding river environment. Rembrandt gives both close texture and distant space a role in the image. The eye can linger among the willow’s branches before following the water away, moving between enclosure and openness within one compact view.
Read our guide to giclée prints or browse the Rembrandt collection.
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