Description
Gioacchino Rossini stands with legs apart and pockets filled with scores, balancing the characters Figaro, Rosina and Othello. Eugène Delacroix turns the composer into a bodily image of the Théâtre Italien, making musical theater a witty human arrangement. The figures become parts of a shared satirical encounter rather than an actual gathering of performers.
Published in Le Miroir on August 13, 1821, the lithograph presents the Paris theater as an example of the modern. Its interest lies in the playful transformation of a cultural subject into a figure capable of carrying characters and music together. The image gives that comparison a lasting graphic presence, allowing the composer’s exaggerated arrangement to communicate through visual wit rather than a literal record of a performance.
Read our guide to giclée prints or browse the Eugène Delacroix collection.
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