Description
In After the Bath III, Edgar Degas shows a nude figure bending toward the right, with long hair falling in the same direction. A towel appears below, while a chair or high support creates a firmer structure behind the body. The relatively pale impression leaves much of the setting open. This makes the bather’s curved posture especially important, allowing the ordinary movement to supply the image with its distinctive rhythm.
Degas made the lithograph in 1891–92 using transfer and crayon techniques. Their drawn character allows variations of pressure and texture to contribute to the figure’s form. The print keeps its subject close, avoiding the need for a grand setting or an elaborate story. A passing moment becomes a sustained visual inquiry: the bather’s movement is given enough attention to reveal its own structure, weight and unforced rhythm.
Read our guide to giclée prints or browse the Edgar Degas collection.
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