Description
Twisting bodies share Eugène Delacroix’s studies after Rubens’s Fall of the Rebel Angels, with a darker torso near the upper right giving one form particular emphasis. The separate figures retain the movement of a dramatic source without becoming a complete copy of the whole composition. The page offers an encounter with inherited invention through concentrated observations of human form.
Made around 1820–22, the work uses graphite. Rubens is the source artist, not a collaborator on Delacroix’s drawing. The study’s appeal lies in the translation of an existing invention into another material encounter, where the hand attends to forms already shaped by an artistic predecessor. Delacroix’s sheet preserves the intimacy of inquiry, allowing a large dramatic subject to be approached through selected figures and the relationships suggested by their bodies.
Read our guide to giclée prints or browse the Eugène Delacroix collection.





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