Description
A queen sits on horseback, her formal presence joined to the controlled power of the animal beneath her. Francisco Goya’s Isabel of Bourbon translates a royal equestrian image by Velázquez into the more concentrated language of etching. The relationship between rider and horse gives rank a physical expression through posture, balance and movement.
Made in 1778, the print belongs to Goya’s study of Velázquez’s paintings and preserves the distinction between the earlier composition and his own printed interpretation. The etched medium draws attention to the organization of the figures rather than the original painting’s color. Its appeal lies in this act of translation: courtly grandeur becomes a pattern of lines and tonal contrasts, allowing the authority of the model to coexist with the immediacy of a differently worked surface.





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