Description
The Betrothal of Mary of Burgundy from the Triumphal Arch of Emperor Maximilian I is a 1515 woodcut by Albrecht Dürer. Its subject places the union of Mary and Maximilian within an imperial account of lineage and achievement. A personal relationship becomes part of a larger historical narrative, linking marriage with the representation of dynastic authority.
As a scene from the Triumphal Arch, the image belongs to an ambitious project that celebrated Maximilian through interconnected episodes and symbols. The betrothal is therefore both an encounter between two people and a statement about the continuity of a ruling house. Its compact narrative encourages close attention to the figures and the significance of their meeting. The work shows how Renaissance imagery could turn family history into a public expression of power.
Read our guide to giclée prints or browse the Dürer collection.
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