Plate 14 from 'Los Caprichos': What a sacrifice! (Que sacrificio!)
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Plate 42 from 'Los Caprichos': Thou who canst not (Tu que no puedes.)
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Study Sheet with Three Women and a Boy
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Four Naked Women
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Self-Portrait Etching at a Window
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Thomas Haaringh (Old Haaringh)
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View of Amsterdam from the Northwest
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Plate 61 from 'Los Caprichos': They have flown (Volaverunt.)
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Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
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Plate 59 from 'Los Caprichos': And still they don't go! (Y aun no se van!)
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Sudarium displayed by two Angels
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Anatomical Studies of Legs
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Saint Michael Fighting the Dragon, from The Apocalypse
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Saint Michael Fighting the Dragon, from The Apocalypse
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Self-Portrait Leaning on a Stone Sill
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The Angel with the Key to the Bottomless Pit
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Martyrdom of the Ten Thousand
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Draughtsman Making a Perspective Drawing of a Reclining Woman
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Saint John the Baptist and Saint Onuphrius
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Seated and Standing Male Nudes, after photographs by Eugène Durieu
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Plate 27 from the 'Tauromaquia': The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike
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Plate 23 from the 'Tauromaquia': Mariano Ceballos, alias the Indian, kills the bull from his horse.
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![Plate 20 from the 'Tauromaquia':The agility and audacity of Juanito Apiñani in [the ring] at Madrid. — Francisco Goya](https://www.trgfineart.com/wp-content/uploads/2022/07/365888-scaled-324x324.jpg)
Plate 20 from the 'Tauromaquia':The agility and audacity of Juanito Apiñani in [the ring] at Madrid.
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Plate 15 from the 'Tauromaquia': The famous Martincho places the banderillas playing the bull with the movement of his body.
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Plate 12 from the 'Tauromaquia': The crowd hamstrings the bull with lances, sickles, banderillas and other arms.
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