Description
In the Antigone scene, Bartet raises an arm at the front left, her light gown contrasting with Mounet-Sully’s darker cloaked figure behind and to the right. The stage setting remains subdued, allowing the actors’ different positions to carry the encounter. The arrangement gives a dramatic relation visual clarity through gesture, dress and the overlap of bodies.
Dated 1893, the work is a crayon and brush lithograph printed in two colors and published by Edouard Kleinmann. Toulouse-Lautrec connects stage identity with pictorial representation, making an event of acting available for a slower kind of attention. The print preserves the named performers within their dramatic association, while retaining an identity independent of the whole play. Its subject joins individual recognition with the wider experience of theater.
Read our guide to giclée prints or browse the Henri de Toulouse-Lautrec collection.
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