Christ Taking Leave of His Mother, from The Life of the Virgin, Latin Edition, 1511
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Dürer, Albrecht
Explore Albrecht Dürer giclée prints, from the intricate lines of his engravings and woodcuts to richly colored religious paintings, portraits and animal studies. Highlights include Saint Jerome in His Study, Knight, Death, and Devil and Young Hare. Our guide to giclée prints explains the printing process.
Explore Dürer by subject
- Engraving and woodcut highlights: Saint Jerome in His Study, Knight, Death, and Devil, Melencolia I, Four Horsemen of the Apocalypse, Landscape With a Large Cannon.
- Animals and close observation: Young Hare, The Rhinoceros.
- Portraits and self-portraits: Self-Portrait, Portrait of Artist Holding a Thistle, Portrait of a Young Venetian Woman, Portrait of Emperor Maximilian I.
- Sacred paintings: Adoration of the Trinity, Feast of the Rosary, Christ Among the Doctors, Christ as the Man of Sorrows, Adoration of the Magi, Adam and Eve.
- Passion and martyrdom: The Descent from the Cross, Martyrdom of the Ten Thousand, Martyrdom of the Ten Thousand (alternate reproduction).
About Albrecht Dürer
Albrecht Dürer was a German painter, printmaker, and theorist of the Northern Renaissance who lived from 1471 to 1528. Dürer was born in Nuremberg, Germany, where he first apprenticed with his father, a goldsmith. He went on to study with several other artists, and soon gained a reputation as one of the most talented painters and printmakers of his generation.
Dürer’s work was characterized by its precise, meticulous attention to detail, as well as his innovative use of perspective and composition. He was particularly interested in the human form, and many of his paintings and prints depict religious scenes or portraits that are highly detailed and realistic. Dürer was also known for his skill as a printmaker, and produced a large number of woodcuts and engravings that were highly influential in the development of printmaking as an art form. Today, his work is recognized as one of the defining achievements of the Northern Renaissance, and continues to be admired for its technical precision, beauty, and emotional power.
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The Circumcision, from The Life of the Virgin
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The Nativity, from The Life of the Virgin
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The Visitation, from The Life of the Virgin
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The Betrothal of the Virgin, from The Life of the Virgin
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The Birth of the Virgin, from The Life of the Virgin
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Joachim and Anna at the Golden Gate, from The Life of the Virgin
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Joachim and the Angel, from The Life of the Virgin
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The Rejection of Joachim's Offering, from The Life of the Virgin
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The Madonna on the Crescent, Frontispiece to The Life of the Virgin
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The Last Supper
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Christ on the Cross between the Virgin and Saint John
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The Angel with the Key to the Bottomless Pit , from The Apocalypse
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The Babylonian Whore, from The Apocalypse
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The Adoration of the Lamb, from The Apocalypse
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The Beast with Two Horns Like a Lamb, from The Apocalypse
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The Four Avenging Angels, from The Apocalypse
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The Seven Angels with the Trumpet, from The Apocalypse
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The Four Angels Holding the Winds, from The Apocalypse
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The Opening of the Fifth and Sixth Seals, from the Apocalypse
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Saint John Before God and the Elders, from The Apocalypse
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The Vision of the Seven Candlesticks, from The Apocalypse
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The Virgin Appearing to Saint John, from The Apocalypse
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The Last Judgment, from The Small Passion
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Pentecost, from The Small Passion
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