Les Vieux Messieurs" (The Old Gentlemen)"
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Giclée Prints, Originals, Framed Art, Ceramics & Glass
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The Master Printmaker: Adolphe Albert
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Réjane and Galipaux, in Madame Sans-Géne
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Madame Réjane
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Au Pied du Sinaï
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Plate 64 from 'Los Caprichos': Bon Voyage (Buen Viage)
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Plate 56 from 'Los Caprichos':To rise and to fall (Subir y bajar.)
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Bathers Under a Bridge (recto); Study after Houdon's Ecorché (verso)
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At the Théâtre de la Renaissance: Sarah Bernhardt in Phèdre
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Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.'(Al cementerio.)
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Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)
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Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
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Announcement for the Théâtre de L'Oeuvre
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The Clown: M. Joret
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The garroted man (El agarrotado)
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Self-Portrait; Plate 1 from Los Caprichos""
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Bartet and Mounet-Sully, in Antigone
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May Belfort
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Jane Hading
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Marie-Louise Marsy
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Polin
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May Belfort
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The Final Outing (from The Old Tales)
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Carnival
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Sleepless Night (from Les Vieilles Histoires)
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