
Goya, Francisco de
Browse Francisco de Goya giclée prints, including scenes from Los Caprichos, the Disasters of War and the Disparates, alongside drawings and paintings. Each product page lists the available materials and sizes. Our guide to giclée prints explains the paper and canvas options.
Explore the Goya collection
- Out Hunting for Teeth — Los Caprichos
- Animal Folly — Disparates
- Blind Guitarist — everyday life
- Seated Giant — imagination and shadow
- The Third of May — painting
About Francisco de Goya
Francisco de Goya was a Spanish painter and printmaker who lived from 1746 to 1828. He is considered one of the most important artists of the late 18th and early 19th centuries, and his work had a profound influence on the development of modern art. Goya began his artistic career as a painter of portraits and religious works, but he soon became known for his skillful use of light and shadow, as well as his bold, unconventional compositions.
Goya’s work is marked by its emotional intensity and its critical engagement with the social and political issues of his time. He was deeply influenced by the Enlightenment, and his works often reflect a skepticism towards religious and political authority. Some of his most famous works include “The Third of May 1808,” which depicts the execution of Spanish citizens by French soldiers, and “The Black Paintings,” a series of murals that he painted on the walls of his home in Madrid towards the end of his life.
Goya’s legacy has endured through the centuries, and his works continue to inspire and challenge viewers with their raw emotion and incisive social commentary. He is now considered one of the most important painters in the history of Western art, and his influence can be seen in the work of many later artists, including the Impressionists and Expressionists.
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397 results


Plate 28 of the "Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid

Plate 29 of the 'Tauromaquia': Pepe Illo making the pass of the 'recorte'.

Plate 30 of the 'Tauromaquia': Pedro Romero killing the halted bull.

Plate 31 of the 'Tauromaquia': Banderillas with firecrackers.

Plate 32 from the 'Tauromaquia':Two teams of picadors thrown one after the other by a single bull.

Plate 13 of the 'Tauromaquia': A Spanish mounted knight in the ring breaking short spears without the help of assistants,

Plate 14 from the 'Tauromaquia': The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body.

Plate 16 of the 'Tauromaquia': The same man throws a bull in the ring at Madrid.

Plate 17 of the 'Tauromaquia': The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls.

Plate 18 of the 'Tauromaquia': The daring of Martincho in the ring at Zaragoza

Plate 19 of the 'Tauromaquia': Another madness of his in the same ring

Plate 22 from the 'Tauromaquia': Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza.

Plate 24 of the 'Tauromaquia': The same Ceballos mounted on another bull breaks short spears in the ring at Madrid.

Plate 9 from the 'Tauromaquia': A Spanish knight kills the bull after having lost his horse.

Plate 8 from the 'Tauromaquia': A Moor caught by the bull in the ring

Plate 7 from the 'Tauromaquia': Origin of the harpoon or banderillas.

Plate 4 from the 'Tauromaquia': They play another with the cape in an enclosure

Plate 2 from the 'Tauromaquia': Another way of hunting on foot

Plate 1 from 'The Tauromaquia': The way in which the ancient Spaniards hunted bulls on horseback in the open country

Plate 3 from the 'Tauromaquia':The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open

'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)

'General Folly' from the 'Disparates' (Follies / Irrationalities)

'Clear Folly' from the 'Disparates' (Follies / Irrationalities)

