The Middle Section of the Entryway to the Central Portal, the Columns Decorated by Sirens and Sleeping Soldiers Behind, from the Arch of Honor, proof, dated 1515, printed 1517-18
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Dürer, Albrecht
Explore Albrecht Dürer giclée prints, from the intricate lines of his engravings and woodcuts to richly colored religious paintings, portraits and animal studies. Highlights include Saint Jerome in His Study, Knight, Death, and Devil and Young Hare. Our guide to giclée prints explains the printing process.
Explore Dürer by subject
- Engraving and woodcut highlights: Saint Jerome in His Study, Knight, Death, and Devil, Melencolia I, Four Horsemen of the Apocalypse, Landscape With a Large Cannon.
- Animals and close observation: Young Hare, The Rhinoceros.
- Portraits and self-portraits: Self-Portrait, Portrait of Artist Holding a Thistle, Portrait of a Young Venetian Woman, Portrait of Emperor Maximilian I.
- Sacred paintings: Adoration of the Trinity, Feast of the Rosary, Christ Among the Doctors, Christ as the Man of Sorrows, Adoration of the Magi, Adam and Eve.
- Passion and martyrdom: The Descent from the Cross, Martyrdom of the Ten Thousand, Martyrdom of the Ten Thousand (alternate reproduction).
About Albrecht Dürer
Albrecht Dürer was a German painter, printmaker, and theorist of the Northern Renaissance who lived from 1471 to 1528. Dürer was born in Nuremberg, Germany, where he first apprenticed with his father, a goldsmith. He went on to study with several other artists, and soon gained a reputation as one of the most talented painters and printmakers of his generation.
Dürer’s work was characterized by its precise, meticulous attention to detail, as well as his innovative use of perspective and composition. He was particularly interested in the human form, and many of his paintings and prints depict religious scenes or portraits that are highly detailed and realistic. Dürer was also known for his skill as a printmaker, and produced a large number of woodcuts and engravings that were highly influential in the development of printmaking as an art form. Today, his work is recognized as one of the defining achievements of the Northern Renaissance, and continues to be admired for its technical precision, beauty, and emotional power.
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The Upper Section of the Entryway to the Central Portal with a Winged Figure Holding the Imperial Crown, from the Arch of Honor, proof, dated 1515, printed 1517-18
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The Tomb Erected by Maximilian for His Father; and The Imperial Treasure; with Portraits of Maximilian's Ancestors and Relatives, from the Arch of Honor, proof, dated 1515, printed 1517-18
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Maximilian's Alliance with Henry VIII; The Double Wedding in Vienna; The Campaign in Gelderland; The Investiture of Massimiliano Sforza as Duke of Milan; and The Venetian War, from the Arch of Honor, proof, dated 1515, printed 1517-18
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Lower Portion of the Entryway to the Right Portal (Die Porten des Adels); and the Outer Right Sockel of the Central Portal, from the Arch of Honor
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The Betrothal of Mary of Burgundy; Young Maximilian; The Struggle for the Burgundian Succession; The Battle Near Therouanne; The War in Guelderland; and The Utrecht Feud, from the Arch of Honor
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The Holy Family in an Enclosed Garden
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Fortuna in a Niche
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Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso)
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Head of a Young Woman
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Portrait of a Woman, Said to Be Caritas Pirckheimer (1467–1532)
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Virgin and Child
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Virgin and Child with Saint Anne
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Salvator Mundi
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Virgin and Child Seated by a Tree (copy)
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Saint Sebald in a Niche
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Christ Crowned with Thorns
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Saint Veronica between Saints Peter and Paul, from The Little Passion (copy)
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Engraved copies of The Little Passion
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Engraved copies of The Little Passion
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Engraved copies of The Little Passion
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Engraved copies of The Little Passion
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Engraved copies of The Little Passion
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Engraved copies of The Little Passion
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Engraved copies of The Little Passion
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